Exhibition dates: 11th June – 25th August 2013
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“The modern city with its multi-storey buildings, plants, factories [...], all this [...] has changed the psychology of the traditional perception to a great extent. It seems as if only a camera is able to illustrate modern life.”
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“Photography – the new, fast and real reflection of the world – should make it possible to map the world from all points of view [...]. In order to educate man to a new vision, everyday familiar objects must be shown to him with totally unexpected perspectives and in unexpected situations. New objects should be depicted from different sides in order to provide a complete impression of the object.”
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“We must revolutionize our optical perception. We must remove the veil from our eyes.”
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“Contradictions of perspective. Contrasts of light. Contrasts of form. Points of view impossible to achieve in drawing and painting. Foreshortenings with a strong distortion of the objects, with a crude handling of matter. Moments altogether new, never seen before… compositions whose boldness outstrips the imagination of painters… Then the creation of those instants which do not exist, contrived by means of photomontage. The negative transmits altogether new stimuli to the sentient mind and eye.”
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Alexander Rodchenko
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What an impression (on the sentient mind) this artist makes!
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Many thankx to the WestLicht Gallery for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.
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Alexander Rodchenko
Marching column of the Dynamo Sports Club
1932
Vintage gelatin silver print on paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Levels
1929
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Sportsmen on Red Square
1935
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Horse racing
1935
Vintage gelatin silver print on paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Sports parade. Girl with towels
1935
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Radio listeners
1929
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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“Alexander Rodchenko (1891-1956) was a driving force in the Russian avant-garde and is considered one of the great innovators of photography in the first half of the 20th century. In 1924, already well-known as a painter, sculptor and graphic artist, he conquered traditional photography with the slogan “Our duty is to experiment!” Dynamic compositions, stark contrasts, unconventional angles and the use of photomontage are the defining characteristics of his photographic language.
Rodchenko’s visual compositions and constructivist manifestos have been highly influential in the development of modern photography. With more than 200 photographs on display, the exhibition explores Rodchenko’s dynamic vision and the extraordinary range of his work. Alongside renowned, iconic images like Portrait of the Artist’s Mother (1924), Steps (1929) or Girl with a Leica (1934) WestLicht presents many rare vintage prints, which are complemented by a selection of Rodchenko’s posters, publications and typographic works.
As a prominent figure of constructivism, Rodchenko significantly shaped the development of Russian art in the early years of the Revolution. He was also a catalyst of a photography movement, similar to the New Objectivity pioneered by Albert Renger-Patzsch in Germany and the Group f/64 in the USA. “New, unexpected foreshortenings, unusual perspectives, bold light and shadow combinations reproduce fragments of the social reality that are as sharp and clear as possible” (Catalogue for Film and Photo Exhibition, Stuttgart, 1929).
The development of this new reality involved a radical departure from traditional perspectives. As Rodchenko pointed out in an essay on Ways of Contemporary Photography, in 1928: “The modern city with its multi-storey buildings, plants, factories [...], all this [...] has changed the psychology of the traditional perception to a great extent. It seems as if only a camera is able to illustrate modern life.” Central to Rodenchko’s argumentation was the belief that the camera could act as an active eye of contemporaries, destroying the primacy of the normal view – the navel perspective – established by painting. For Rodchenko the camera lens was “the pupil of the educated person in socialist society.”
Just as the revolution created the new socialist man and swept away the old order, photography should overcome the outdated perception and allow a modern outlook. “Photography – the new, fast and real reflection of the world – should make it possible to map the world from all points of view [...]. In order to educate man to a new vision, everyday familiar objects must be shown to him with totally unexpected perspectives and in unexpected situations. New objects should be depicted from different sides in order to provide a complete impression of the object.” According to Rodchenko’s significant and much-quoted claim: “We must revolutionize our optical perception. We must remove the veil from our eyes.”
Curated by Olga Sviblova, Director of the Moscow House of Photography Museum.”
Press release from the WestLicht Gallery website
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Alexander Rodchenko
Girl with Leica
1934
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Balconies. Corner of the house
1925
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Guard at the Shukhov Tower
1929
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Pines. Puschkino
1927
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Fire escape
1925
Deduction on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Trumpeting pioneer
1930
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
They gathered for the demonstration
1928
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Varvara Stepanova on a balcony
1928
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Portrait of the Artist’s Mother
1924
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
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Alexander Rodchenko
Pioneer
1930
Vintage print on Silver gelatin paper
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Envelope for Vladimir Mayakovsky’s poem ”Pro eto” (Darüber)
1923
Reprint
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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Alexander Rodchenko
Lilya Brik. Portrait of the advertising poster “Knigi”
1924
Vintage print on Silver gelatin paper, cut out and glued on pink paper.
Collection Museum Moscow House of Photography / Multimedia Art Museum, Moscow
© A. Rodchenko – W. Stepanova Archive
© Museum Moscow House of Photography
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WestLicht Gallery
Westbahnstraße 40,
1070 Vienna
T: +43 (0)1 522 66 36 -60
Opening hours:
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Thu 2 – 9 pm
Sat, Sun and public holidays 11 am – 7 pm
Filed under: black and white photography, designer, documentary photography, exhibition, existence, film, gallery website, illustration, light, photographic series, photography, portrait, printmaking, reality, space, surrealism, time, works on paper Tagged: active eye, aerial perspective, Albert Renger-Patzsch, Alexander Rodchenko, Alexander Rodchenko Balconies, Alexander Rodchenko Balconies Corner of the house, Alexander Rodchenko Envelope for Vladimir Mayakovsky's poem, Alexander Rodchenko Fire escape, Alexander Rodchenko Girl with Leica, Alexander Rodchenko Guard at the Shukhov Tower, Alexander Rodchenko Horse racing, Alexander Rodchenko Levels, Alexander Rodchenko Lilya Brik, Alexander Rodchenko Marching column of the Dynamo Sports Club, Alexander Rodchenko Pines Puschkino, Alexander Rodchenko Pioneer, Alexander Rodchenko Portrait of the advertising poster Knigi, Alexander Rodchenko Portrait of the Artist's Mother, Alexander Rodchenko Radio listeners, Alexander Rodchenko Sports parade, Alexander Rodchenko Sportsmen on Red Square, Alexander Rodchenko They gathered for the demonstration, Alexander Rodchenko Trumpeting pioneer, Alexander Rodchenko Varvara Stepanova on a balcony, Alexander Rodchenko: Revolution in Photography, Balconies Corner of the house, Dynamo Sports Club, experimental photography, geometric perspective, Girl with Leica, Group f/64, Guard at the Shukhov Tower, innovators of photography, Lilya Brik, Marching column of the Dynamo Sports Club, New Objectivity, optical perception, Our duty is to experiment!, perspective, photographic language, photomontage, Pines Puschkino, Portrait of the Artist's Mother, Red Square Moscow, Revolution in Photography, Rodchenko, Rodchenko Portrait of the advertising poster Knigi, Rodchenko typographic works, Russian art, Russian art in the early years of the Revolution, Russian art of the Revolution, Russian artist, Russian photography, Russian Revolution, sentient mind, Shukhov Tower, socialist society, Sportsmen on Red Square, subjectivity, They gathered for the demonstration, Trumpeting pioneer, typology, unconventional angles, Varvara Stepanova, Vienna, Vladimir Mayakovsky, Ways of Contemporary Photography, We must revolutionize our optical perception, WestLicht Gallery
