Exhibition dates: 30th November, 2024 – 23rd March, 2025
Barbara Klemm (German, b. 1939)
Offenbach
1968
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Apparently, “the exhibition presents photography by one of Germany’s most important artists.”
Until recently I had never heard of this artist and I have been studying photography for over 35 years.
Allegedly, “many of Klemm’s photographs have become “icons of contemporary history” and have shaped the cultural memory of several generations.”
What does that even mean – “icons of contemporary history” – it’s just art speak that means absolutely nothing!
If we actually look at the work there are some really strong photographs here that form a cohesive body of work which interrogates the reality of a country that was divided for decades, which examine the postwar formation of German culture and identity.
“[The exhibition] includes pictures from every sphere of society: from politics, culture and the economy, photos that capture unique and often tense moments as well as plain everyday life, photos of demonstrations, protests, and of immigrants, of cultural events, mass gatherings, and urban spaces.” (Text from ifa website)
While Klemm’s photographs combine the documentary and the artistic in German press photography, her artistic voice is not a lone voice in the wilderness documenting Germany before and after reunification. Variously (but not exclusively) we have from the 1930s onwards and reaching its social reality apotheosis in the 1970s-1980s artists such as Friedrich Seidenstücker, Benjamin Katz, Chargesheimer, Michael Schmidt, Helga Paris, Günter Zint, Wendelin Bottländer, Andreas Horlitz, Christa Mayer, Sibylle Bergemann, Tata Ronkholz, Thomas Struth, Wilhelm Schürmann, Volker Döhne, Elfriede Mejchar, Hildegard Heise, and Timm Rautert.
At their best Klemm’s photographs are essential – (in the sense ‘in the highest degree’): from late Latin essentialis, from Latin essentia (see essence) – which is, the intrinsic nature or indispensable quality of something … which determines its character. That is what Klemm so vibrantly and insightfully captures, the true essence of an event which is then marked down in history. “Her sure sense of the true essence of an event allows her to capture moments that tell stories far beyond what the pictures seem to show at first glance.” In the highest degree, Klemm’s photographs “offer an insight into the most significant aspects of social life in both the Federal Republic of Germany and the GDR”
But she is not alone in this endeavour and to argue that her photographs are “icons of history” and that she is one of Germany’s most important artists is pure hokum. Why curators and/or media people continue to write this stuff is beyond me…
Just let the artist tell her stories and the photographs will speak for themselves.
Strength, insight, essence.
Dr Marcus Bunyan
Many thankx to the Galerie für Zeitgenössische Kunst for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.
Barbara Klemm (German, b. 1939)
Friedrichstrasse, East Berlin
1970
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
The exhibition presents photography by one of Germany’s most important artists. Barbara Klemm’s work, spanning forty years, bears witness to the historical development and present-day reality of a country that was divided for decades. Many of her pictures have become icons of contemporary history, shaping the cultural memory of several generations.
An exhibition by ifa – Institut für Auslandsbeziehungen e. V. ifa is funded by the German Federal Foreign Office, the state of Baden-Württemberg, and the city of Stuttgart.
Barbara Klemm (German, b. 1939)
Leipzig
1970
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Leipzig
1970
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Leonid Brezhnev, Willy Brandt, Bonn
1973
Gelatin Silver Print
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Psychiatric Clinic, Bethel
1973
Gelatin Silver Print
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Rostock
1974
Gelatin Silver Print
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Frankfurt am Main
1974
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Frauendemonstration gegen § 218 / Women Demonstration against Abortion Laws, Frankfurt am Main
1974
Black and white photograph on baryta paper
400 x 300 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm’s works bear witness to the historical development and present-day reality of a country that was divided for decades. Many of her pictures have become icons of contemporary history, shaping the cultural memory of several generations. It is a body of photographic work that blends documentation and artistic inspiration in a way that is rarely encountered in the German press.
With the exhibition Barbara Klemm: Light and Dark. Photographs from Germany, the ifa – Institut für Auslandsbeziehungen presents photographs by one of Germany’s leading photographers. At GfZK, they will be shown in Germany for the first time in 15 years
Most of the photographs shown in the exhibition were taken for the Frankfurter Allgemeine Zeitung. Starting in 1959, Barbara Klemm began her career at this newspaper working as a laboratory assistant and in plate production. From 1970, she became an editorial photographer focusing primarily on political and feature photography. However, her photographs are far more than coverage photos taken for the moment. They offer an insight into the most significant aspects of social life in both the Federal Republic of Germany and the GDR. A central focus of the exhibition is on photographs taken in East and West Germany before and after reunification. These images portray diverse aspects of social life, including politics, culture, and business. They depict a wide range of social realities – precarious and everyday situations, demonstrations, protests, migrant life, as well as cultural events, mass gatherings and urban space.
With an unerring instinct for the essence of a situation, the photographer captures moments that reveal far more than what is portrayed on the surface. Her photographs, as Barbara Klemm herself describes, reveal the “distillation of an action” – and, in doing so, the distillation of history itself.
Text from the GfZK website
Barbara Klemm (German, b. 1939)
Stift Ehreshoven, Loope
1977
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Bayreuth
1977
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Ronald Reagan Visits, West Berlin
1982
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Monument to Marx and Engels, East Berlin
1987
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
At the Reichstag, West Berlin
1987
Gelatin Silver Print
© Barbara Klemm, Institut für Auslandsbeziehungen e. V
Barbara Klemm (German, b. 1939)
Hawangen
1988
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
The Fall of the Wall, Berlin, 10 November 1989
1989
Gelatin Silver Print
© Barbara Klemm, Institut für Auslandsbeziehungen e. V
Photography as documentation and artistic inspiration
Many of Klemm’s photographs have become “icons of contemporary history” and have shaped the cultural memory of several generations. It is a photographic work that combines documentation and artistic inspiration in a way rarely found in the German press. Barbara Klemm adds her own perspective to the supposedly objective documentary and follows the design rules of art in her image compositions.
Although these photographs were mostly commissioned by the Frankfurter Allgemeine Zeitung – for which Barbara Klemm worked from 1959 as a laboratory assistant and in cliché production, and from 1970 as an editorial photographer specialising in politics and the arts section – they are far more than reportage images made for the day.
Social insights from East and West Germany before and after reunification
The images show the most important areas of social life in the Federal Republic of Germany and the GDR. A clear focus of the exhibition is on photographs taken in East and West Germany before and after reunification. There are pictures from all areas of social life – from politics, culture and the economy – of precarious and everyday situations of social reality, of demonstrations, protests and the lives of immigrants as well as of cultural events, mass events and urban spaces.
About the exhibition
Many of her pictures have become “icons of contemporary history”, shaping the cultural memory of several generations. She has created a body of photographs which combine the documentary and the artistic in a manner seldom encountered in German press photography. She adds her own perspective to the documentary genre, following artistic principles of composition. Although the majority of these photos were commissioned for the daily newspaper Frankfurter Allgemeine Zeitung they represent far more than coverage of the day’s events. Barbara Klemm first joined the newspaper in 1959, working in the photo lab and producing photographic plates, before becoming a photographer on the editorial board for art, culture and politics in 1970. Her commissioned work for the newspaper took her to many of the most important events and places in the Federal Republic of Germany, the German Democratic Republic and in numerous other countries. Photos of East and West Germany before and after unification are clearly the focus of this exhibition. It includes pictures from every sphere of society: from politics, culture and the economy, photos that capture unique and often tense moments as well as plain everyday life, photos of demonstrations, protests, and of immigrants, of cultural events, mass gatherings, and urban spaces. And again and again, Barbara Klemm portrays people in those rare moments of being that make life so special.
Barbara Klemm’s photographs stand for concrete social reality. Her sure sense of the true essence of an event allows her to capture moments that tell stories far beyond what the pictures seem to show at first glance. These photos are “action in condensed form”, as Klemm puts it, and thus also a condensed image of history. Her photos of the fall of the Berlin Wall are a dramatic climax to her own narrative of history, and in retrospect, her earlier photos from both sides of the Wall seem to be tracing the two Germanies on their path towards reunification, while her later photos closely observe the consequences of the new order.
Text from ifa – Institut für Auslandsbeziehungen website
Barbara Klemm (German, b. 1939)
Braunkohleabbau bei Leipzig / Lignite Mining near Leipzig
1990
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Oderberg, Oderbruch
1990
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Remnants of the Wall near Lübars, Berlin
1990
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Berlin-Marzahn
1991
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Frankfurt am Main
1993
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Prenzlauer Berg, Berlin
1994
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
Oranienburger Straße, Berlin
1994
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)
West Wall, near Aachen
1998
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
Barbara Klemm (German, b. 1939)939)
Berlin
1998
Black and white photograph on baryta paper
300 × 400 mm
© Barbara Klemm, Institut für Auslandsbeziehungen e. V.
GfZK-Villa
Karl-Tauchnitz-Str. 11
04107 Leipzig
Opening hours:
Tue - Fri: 2pm – 7pm
Sat - Sun: 12am – 6pm