Exhibition dates: 1st August – 1st December 2013
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This photographer will always be in my top ten photographers of all time. His lyricism and sensitivity to subject matter and narrative is up there with the very best that the medium has to offer. He was a great influence on my photography when I started taking black and white photographs in 1990. In this posting, it is nice to see some of the less well known of his images.
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Many thankx to The Wittliff Collections for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.
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Installation view of the exhibition Manuel Álvarez Bravo at The Wittliff Collections, Texas State University
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Manuel Álvarez Bravo
La señal / The Sign
1967
Gelatin silver print
Gift of Patricia and Keith Carter
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Manuel Álvarez Bravo
Votos / Votive Offerings
1966-69
Gelatin silver print
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Manuel Álvarez Bravo
Ángel del temblor / Angel of the Earthquake
1957
Gelatin silver print
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Manuel Álvarez Bravo
Colchón / Mattress
1927
Gelatin silver print
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Manuel Álvarez Bravo
La buena fama durmiendo / The Good Reputation Sleeping
1938-1939
Gelatin silver print
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Manuel Álvarez Bravo
Obrero en huelga, asesinado / Striking Worker, Assassinated
1934
Gelatin silver print
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Manuel Álvarez Bravo
Caja de visiones / Box of Visions
1938
Gelatin silver print
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One of the founders of modern photography, Manuel Álvarez Bravo (1902-2002) is Mexico’s most accomplished and renowned photographer. His images are masterpieces of post-revolutionary Mexico, composed with avant-garde and surreal aesthetics that resonate with stylized vision. Álvarez Bravo’s signature landscapes, portraits, and nudes translate reality into dream-like moments that have become iconic. “Don Manuel,” as he was called, taught photography at various schools in Mexico City and mentored generations of Mexico’s finest photographers. The Wittliff is proud to present its first-ever solo exhibition of works by this esteemed master – the result of more than 20 years of collecting – more than 50 of Álvarez Bravo’s signed prints. Included among the many famous images are: Bicicletas en domingo / Bicycles on Sunday; Caja de visiones / Box of Visions; El ensueño / The Day Dream; Obrero en huelga asesinado / Striking Worker Murdered; Parábola óptica / Optical Parable; and Retrato de lo eterno / Portrait of the Eternal.
Born in 1902 in Mexico City into a family that supported the arts, Manuel Álvarez Bravo learned photography largely on his own but was encouraged by other well-known photographers, including Hugo Brehme, Tina Modotti, and Edward Weston, as well as the French surrealist writer André Breton. Álvarez Bravo’s art – which matured into a transcendence of culture, time, and place – was inspired by the times, during post-Revolutionary Mexico when Mexico City flourished as one of the major creative and intellectual centers of the world. In 1955, Edward Steichen included his work in the landmark exhibition The Family of Man for the New York Museum of Modern Art (MoMA). Álvarez Bravo’s imagery has been featured in over 150 solo exhibitions, and he garnered many honors throughout his career.
The interests of “Don Manuel,” as he was called, went beyond his own photographic work, and his influence was far-reaching. He co-founded the Mexican Foundation for Publishing in the Plastic Arts devoted to books about Mexican art, planned the Mexican Museum of Photography in Mexico City, and mentored and befriended a great many younger, emerging photographers and artists in Mexico. He died at the age of 100 in October 2002. On view in addition to the Álvarez Bravo photographs are portraits of him by Graciela Iturbide, Rodrigo Moya, and Bill Wittliff. The poem Facing Time, an ode to Álvarez Bravo’s work by Nobel Laureate Octavio Paz, is featured among other supplementary materials. Paz, a collaborator and friend of Álvarez Bravo’s, describes the photographer’s vision as “the arrow of the eye / dead center / in the target of the moment.”
Text from The Wittliff Collections website
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Manuel Álvarez Bravo
Retrato de lo Eterno / Portrait of the Eternal
1977
Gelatin silver print
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Manuel Álvarez Bravo
En el templo del tigre rojo / In the Temple of the Red Tiger
1949
Gelatin silver print
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Manuel Álvarez Bravo
Calabaza y caracol / Squash and Snail
1928, printed 1980
Platinum print
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Manuel Álvarez Bravo
Nino Orinando
1927
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Manuel Álvarez Bravo
Día de todos muertos / Day of the Dead
1933
Gelatin silver print
Courtesy of Bill and Sally Wittliff
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Manuel Álvarez Bravo
Las lavanderas sobreentendidas / The Washerwomen Implied
1932
Gelatin silver print
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Manuel Álvarez Bravo
Señor de Papantla / Man from Papantla
1934
Gelatin silver print
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Manuel Álvarez Bravo
Peluquero / Barber
1924
Gelatin silver print
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Manuel Álvarez Bravo
El ensueño / The Daydream
1931
Platinum print
Courtesy of Bill and Sally Wittliff
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Manuel Álvarez Bravo
El umbral / The Threshold
1947
Gelatin silver print
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Manuel Álvarez Bravo
Dos pares de piernas / Two Pairs of Legs
1928-29
Gelatin silver print
Courtesy of Bill and Sally Wittliff
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Manuel Álvarez Bravo
Maniquí tapado / Wrapped Mannequin
1931
Gelatin silver print
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Manuel Álvarez Bravo
El pez grande se come a los chicos / The Big Fish Eats the Little Ones
1932
Gelatin silver print
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Manuel Álvarez Bravo
Parabola optica / Optical Parable
1931
Gelatin silver print
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The Wittliff Collections
Alkek Library, Seventh Floor
Texas State University, San Marcos
Opening hours:
Hours vary throughout the year – PLEASE CALL AHEAD: 512.245.2313.
The Wittliff Collections website
Filed under: beauty, black and white photography, documentary photography, exhibition, existence, gallery website, landscape, light, memory, photographic series, photography, portrait, psychological, reality, space, street photography, surrealism, time Tagged: Angel of the Earthquake, Ángel del temblor, Box of Visions, Caja de visiones, Calabaza y caracol, Day of the Dead, Día de todos muertos, Dos pares de piernas, El ensueño, El pez grande se come a los chicos, El umbral, En el templo del tigre rojo, Good Reputation Sleeping, In the Temple of the Red Tiger, La buena fama durmiendo, Las lavanderas sobreentendidas, Man from Papantla, manuel alvarez bravo, Manuel Alvarez Bravo at The Wittliff Collections, Manuel Alvarez Bravo La buena fama durmiendo, Manuel Alvarez Bravo Optical Parable, Manuel Alvarez Bravo Parabola optica, Manuel Alvarez Bravo The Good Reputation Sleeping, Manuel Álvarez Bravo Angel of the Earthquake, Manuel Álvarez Bravo Ángel del temblor, Manuel Álvarez Bravo Barber, Manuel Álvarez Bravo Box of Visions, Manuel Álvarez Bravo Caja de visiones, Manuel Álvarez Bravo Calabaza y caracol, Manuel Álvarez Bravo Colchón, Manuel Álvarez Bravo Day of the Dead, Manuel Álvarez Bravo Día de todos muertos, Manuel Álvarez Bravo Dos pares de piernas, Manuel Álvarez Bravo El ensueño, Manuel Álvarez Bravo El pez grande se come a los chicos, Manuel Álvarez Bravo El umbral, Manuel Álvarez Bravo En el templo del tigre rojo, Manuel Álvarez Bravo In the Temple of the Red Tiger, Manuel Álvarez Bravo La señal, Manuel Álvarez Bravo Las lavanderas sobreentendidas, Manuel Álvarez Bravo Man from Papantla, Manuel Álvarez Bravo Maniquí tapado, Manuel Álvarez Bravo Mattress, Manuel Álvarez Bravo Nino Orinando, Manuel Álvarez Bravo Peluquero, Manuel Álvarez Bravo Portrait of the Eternal, Manuel Álvarez Bravo Retrato de lo Eterno, Manuel Álvarez Bravo Senor de Papantla, Manuel Álvarez Bravo Squash and Snail, Manuel Álvarez Bravo The Big Fish Eats the Little Ones, Manuel Álvarez Bravo The Daydream, Manuel Álvarez Bravo The Sign, Manuel Álvarez Bravo The Threshold, Manuel Álvarez Bravo The Washerwomen Implied, Manuel Álvarez Bravo Two Pairs of Legs, Manuel Álvarez Bravo Votive Offerings, Manuel Álvarez Bravo Votos, Manuel Álvarez Bravo Wrapped Mannequin, master photographer, Mexican artist, Mexican photographer, Mexican photography, Nino Orinando, Optical Parable, Parabola optica, Peluquero, Portrait of the Eternal, Retrato de lo Eterno, San Marcos, Senor de Papantla, Squash and Snail, Texas State University, The Big Fish Eats the Little Ones, The Daydream, The Good Reputation Sleeping, The Threshold, The Washerwomen Implied, The Wittliff Collections, The Wittliff Collections Texas State University, Two Pairs of Legs, Wrapped Mannequin
