Exhibition dates: 16th October 2014 – 23rd March 2015
I am not convinced by these. There are a couple of brilliant images in the posting, such as Forbidden City (Beijing, 1957) and Photography Fair 150 Kilometers from Tokyo (Japan, 1958) but the rest vary between plain (Between Konark and Puri, Orissa, India, 1956), kitsch or is it cheesy (Road to Khyber Pass, Afghanistan, 1956) to downright obvious (Cave Dwelling, between Urgup and Uchisar, Cappadocia, Turkey, 1955).
Marcus
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Many thankx to The Rubin Museum of Art for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.
Marc Riboud (French, b. 1923)
Road to Khyber Pass
Afghanistan, 1956
60 x 94 cm
Marc Riboud (French, b. 1923)
Photography Fair 150 Kilometers from Tokyo
Japan, 1958
40 x 50 cm
Marc Riboud (French, b. 1923)
Darjeeling
Darjeeling, India, 1956
30 x 40 cm
Marc Riboud (French, b. 1923)
Forbidden City
Beijing, 1957
40 x 50 cm
Marc Riboud (French, b. 1923)
Between Konark and Puri
Orissa, India, 1956
Vintage print
18 x 27.2 cm
Marc Riboud (French, b. 1923)
Camel Market
Nagaur, Rajasthan, India, 1956
Vintage print
33.5 x 49.5 cm
Marc Riboud’s first New York exhibition in over 25 Years chronicles the artist’s expeditions across Asia
Photography exhibition at Rubin Museum of Art offers rare glimpse into life at critical time in trans-regional Asian history
“This October, the Rubin Museum of Art will open Witness at a Crossroads: Photographer Marc Riboud in Asia, a photography exhibition that chronicles the French artist’s journeys across Asia, with particular focus on his travels from 1955 through 1958. The first New York museum exhibition of Riboud’s work in over 25 years, Witness at a Crossroads will illustrate the artist’s perspective on the confluence of tradition and modern culture in mid-century Asia. On view from October 16, 2014 through March 23, 2015, Witness at a Crossroads will feature approximately 100 black-and-white photographs from the mid-to-late 1950s, as well as images from Riboud’s pioneering visit to China in the 1960s. The exhibition will also present ephemeral objects including press cards, contact sheets, and international magazines where photographs of Riboud’s travels were published.
Organized in thematic clusters – regionally and chronologically – the exhibition will examine Riboud’s travels across Turkey, Iran, Afghanistan, Pakistan, India, Nepal, China, and Japan. Riboud’s photographs provide an honest and accessible window into the daily lives of the diverse people of the region and illuminate the tension created by cultural shifts during this period. These early images provide important context for Riboud’s later works and illuminate the influence of his experience in Asia on his career.
“Marc Riboud captured a period of significant cultural transformation and postwar modernization through the lives of everyday individuals, creating an important living document. The exhibition provides a broad lens through which to look at trans-regional Asian dynamics and history in these critical years,” said Beth Citron, Assistant Curator at the Rubin Museum of Art. “Witness at a Crossroads is the latest exhibition at the Rubin Museum of Art to illuminate the profound impact of cultures across Asia on the work of modern and contemporary artists from across the globe. Our latest exhibition affirms the institution’s commitment to providing a comprehensive view of artistic activity coming out of – and impacted by – these diverse cultures.”
Riboud left for Asia shortly after beginning his career at the photo agency Magnum. The photographer’s explorations were shaped in part by his correspondence with his mentor Henri Cartier-Bresson, the father of photojournalism, who provided insight to his protégé on engaging with new cultures. The exhibition highlights common themes in Riboud’s work and underscores the artist’s use of photography to investigate culture and his ability to capture intimate glimpses of everyday life. One of the first foreign photographers allowed into China after the country’s Cultural Revolution of 1949, Riboud was a pioneer in documenting the region, as demonstrated in images such as Forbidden City (1957), where a silhouette of a figure is framed by the angular rooftops, fences, and walls. A strong sense of composition is also apparent in images like On the Backs of Ganges (1956), where bathers relaxing after a swim are divided by a draping sheet in the center of the photograph. Works like Darjeeling (1956), a look at the Indian city on a rainy day, demonstrate Riboud’s ability to create poetic and atmospheric images of the countries he explored.
About Marc Riboud
Before beginning his career as a photographer, Marc Riboud worked as a factory engineer until 1951. After a week on holiday, during which he covered the cultural festival of Lyon, Riboud dropped his engineering job for photography and moved to Paris in 1952. He was invited by Henri Cartier-Bresson and Robert Capa to join Magnum as an associate that same year.
In 1957, Riboud made his first trip to China. He returned multiple times, including a 1965 trio with writer K.S. Karol. In 1968, 1972, and 1976, Riboud made several reportages on North Vietnam in addition to continuing his travels all over the world, mostly in Asia, Africa, the U.S., and Japan. He is best known for his extensive reports on the East: The Three Banners of China (1966), Face of North Vietnam (1970), Visions of China (1981) and In China (1966). He has received many awards including two by the Overseas Press Clun, the Time-Life Achievement, the Lucie Award and the ICP Infinity Award.”
Press release from The Rubin Museum of Art website
Marc Riboud (French, b. 1923)
Cave Dwelling, between Urgup and Uchisar
Cappadocia, Turkey, 1955
24 x 30 cm
Marc Riboud (French, b. 1923)
Istanbul
Istanbul, Turkey, 1955
30 x 40 cm
Marc Riboud (French, b. 1923)
Jaipur
Jaipur, India, 1956
23.2 x 33 cm
Marc Riboud (French, b. 1923)
On a Train from Hong Kong to Guangzhou
China, January 1, 1957
20.2 x 30 cm
Marc Riboud (French, b. 1923)
Preparing Kites on a Sunday Morning
Ankara, Turkey, 1955
Vintage print
17 x 25.3 cm
Marc Riboud (French, b. 1923)
Untitled
Afghanistan, 1955
Vintage print
16.2 x 23.7 cm
Marc Riboud (French, b. 1923)
Street Show
Beijing, China, 1957
Vintage print
20.4 x 29.9 cm
The Rubin Museum of Art
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Filed under: beauty, black and white photography, documentary photography, exhibition, existence, gallery website, intimacy, landscape, light, memory, photographic series, photography, photojournalism, portrait, space, time, works on paper Tagged: afghanistan, Beijing, Between Konark and Puri, Camel Market, Cave Dwelling between Urgup and Uchisar, China Cultural Revolution, Cultural Revolution, Darjeeling, Forbidden City, Forbidden City Beijing, french artist, French photographer, French photography, Istanbul, Jaipur, landsscape photography, Marc Riboud, Marc Riboud Afghanistan, Marc Riboud Between Konark and Puri, Marc Riboud Camel Market, Marc Riboud Cave Dwelling between Urgup and Uchisar, Marc Riboud Darjeeling, Marc Riboud Forbidden City, Marc Riboud in Asia, Marc Riboud Istanbul, Marc Riboud Jaipur, Marc Riboud On a Train from Hong Kong to Guangzhou, Marc Riboud Photography Fair, Marc Riboud Photography Fair 150 Kilometers from Tokyo, Marc Riboud Preparing Kites on a Sunday Morning, Marc Riboud Road to Khyber Pass, Marc Riboud Street Show, On a Train from Hong Kong to Guangzhou, Photographer Marc Riboud in Asia, Photography Fair 150 Kilometers from Tokyo, photography of China, photography of India, photojournalism, portrait photography, Preparing Kites on a Sunday Morning, Road to Khyber Pass, Street Show, travel photography, Witness at a Crossroads, Witness at a CrossroadsPhotographer Marc Riboud in Asia
